The Word of Unbinding is a short story set in Earthsea. NOTE: The following information is taken from Wikipedia.

The Word of Unbinding (1964) is a short story by Ursula K. Le Guin, first published in the January 1964 issue of Fantastic, and reprinted in collections such as The Wind's Twelve Quarters. In this story, the Earthsea realm, which was later made famous by A Wizard of Earthsea, was first introduced. Along with the story "The Rule of Names", this story conveys Le Guin's initial concepts for the Earthsea realm, most importantly its places and physical manifestation, but not the characters appearing in the novels.[1].

[edit] Plot summaryEdit

At the beginning of the story, the protagonist, a wizard named Festin, finds himself imprisoned. Thinking back, he recalls his apprehension at the news that the evil wizard Voll had been marching from island to island, among the islands of Earthsea subduing all in his way, with no one able to understand or fight his magic. Festin determines that Voll must have just reached his island; thus his imprisonment.

At first Festin, a strong wizard in his own right, is confident of his power to escape and overcome Voll - but all his attempts are rebuffed more than defeated. Finally, Festin's desperate longing for his beloved countryside makes him transform himself into a fish, swimming in one of the island's cool steams. However, Voll has noticed what happened, and a troll, one of the evil one's servants, finds and takes Festin out of the water. The wizard is trapped by his own spell and cannot change back.

By now, Festin has realized that the source of Voll's power and invulnerability is that he is already dead, and controls his servants from the world of the dead. The only course left to Festin is The Word of Unbinding, the uttering of which is tantamount to suicide - but which enables Festin to get at his enemy and destroy him.

Festin has forever lost the joys of his beloved island, but his sacrifice has saved others from Voll.

[edit] Major themesEdit

  • The story anticipates The Farthest Shore in which Ged similarly goes into the world of the dead to fight a "dead" enemy threatening the world of the living, and defeats him at the cost of enormous sacrifice (though in that case, of his power rather than his life).[2]
  • Also within this story is the theme that a wizard taking the form of an animal risks becoming trapped in his own spell and not being able to change back. In A Wizard of Earthsea Ged is trapped in the form of hawk, and would have remained a bird but for Ogion having changed him back. This theme is reinforced by another tale of a wizard who takes the form of a bear and is unable to return to his original form. As a bear, the wizard kills his own child. Likewise, there is mention of "wise men who became dolphins and forgot their wisdom among the waves of the sea". This is a specific example of the limitations and risks inherent in the use of magic and the need to keep a balance, which are central to Le Guin's concept of magic.[citation needed]

[edit] FootnotesEdit

  1. ^ Le Guin, Ursula, The Wind's Twelve Quarters, (New York, Harper & Row, October 1975), foreword.
  2. ^ Le Guin, Ursula, The Wind's Twelve Quarters, (New York, Harper & Row, October 1975), page 65.

[edit] ReferencesEdit

[edit] External linksEdit

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